quarta-feira, novembro 23, 2005

Drawing Restraint 9



Björk fala sobre o seu novo trabalho em New York Magazine.

It’s a project that, like many of the works of these two protean experimental artists, is so avant-garde as to risk ridiculousness when summarized. But let’s give it a try: Filmed on location in Nagasaki Bay onboard the Japanese whaling ship Nisshin Maru, Drawing Restraint 9 combines sculpture, music, architecture, and performance to explore the relationship between resistance and creativity. Central to the project is a vast, liquid “sculpture” of a Vaseline-like substance called the Field, suggestive of whale fat. As the film unfolds, with a lingering attention to aesthetics that will be familiar to viewers of Barney’s famous Cremaster Cycle, the substance shifts, disintegrates, and ruptures; the changes in its physical form sublimate the movements of the Guests—Barney and Björk—who arrive on the ship to be groomed and dressed by geishas.